Category Archives: rural citizens band

A brief history of music by Ratan X.

Not that anybody asked, but here goes nothing…

Rural Citizens Band (late Dec 2006 to August 2015). — Officially broken up in early 2016, but for all intents and purposes this project came to an end once I moved. There are some crusty releases early on (especially the first one), but once I got the hang of things and found my voice, things improved a lot. This is still the project I compare everything else to.

XR1300 (June 2013 to present) — This was started around the time I was taking a vacation from RCB. I was going to end things with the 8th album then do everything under this monikor. That changed when I started doing drone music and I wanted this to be more beat driven. Again, the first album is kind of crusty, but the second album (and everything afterwards) was a huge leap forward. Still making music for this. Still lots to come out in the near future. Yes, I’m still flooding the market!

Akibare (March – April 2013) — Noise annoys. This was actually the first side project I did after taking a hiatus from RCB. It was a chore to make this album, because I was trying to make each track more obnoxious than the last. And I took the easy way out of making “noise” music, by mostly taking sound samples and amplifying them to distortion. That isn’t to say a new noise project isn’t coming out soon.

Brother Curtis (February 2015) — I have made only one EP under this moniker, and it was released to a hidden subdomain on the ahoy-hoy.net domain. Then I took it down a few days later. Mainly because the album cover was an esoteric symbol that may have been used by a gang of human traffickers. I really don’t want my music associated with such people. This project is a drone metal/dark ambient project and I really liked the synth sound I got out of it. Kind of sounds like live Sunn 0))). Some day I might re-issue it with a new album cover. And maybe re-relase it under a new moniker that would encompass more experimental/noise stuff. We shall see…

Abandoned Shorelines (February 2016 – present) — The current ambient project. A lot like RCB, only beatless. And with more emphasis on beach life and culture. So far I’ve only released drone tracks and ambient revisions of XR1300 songs, but I have a full-length album of new material in the works. That should be out very soon.

And now you know the rest of the story. Good day!

An RCB sabbatical

But not a sabbatical from making new music.

The first music I ever released was released under the name of “Rural Citizens Band.” I’m not 100% sure where the name came from. Part of it is based on citizen’s band radio, but not really. I almost went with “Angelina’s Pet Orphan” but thank God I didn’t. It would no longer make sense today, and might have political meanings I didn’t intend.

That was back in December of 2006. At first I thought of it as fun, maybe even a bit of a joke. The first album reflects this as it’s not too good and it’s too sloppy and amateurish in its execution.

For a while there I only put out a new album every nine months or so. There were times I thought “Uh oh, it’s been nine months, better throw some tracks together and put out a new album.”

Then something funny happened. I put out one of those albums. Then I recorded an entirely new album a few weeks later. Then another. VIII was originally going to be my final RCB album because I thought it was the pinnacle. Then I started making drone tracks and drone albums.

Eventually I started a “side project” named XR1300 that somehow became my main project.

I kept putting out more RCB albums and the last two, Travelogue of the 80s and XXII were probably my two best. At least two strongest.

For that reason and more, I plan on putting the RCB project on permanent sabbatical. See, all of those songs were recorded in a previous time and place I literally cannot go back to.

I still want to make drone music and ambient music, but I feel it’s best to seal the time capsule of RCB and go forward with something new.

I will release an album of all new material by XR1300 very soon (and a remix album), but henceforth, all ambient and drone music will be released under a different name.

I already have two drone tracks (two totally different versions of the same song) ready to go. I just need to come up with a new name.

Really, nothing much is changing other than the name. When I get things online, I will post here about them.

This is a good thing.

To remaster or not to remaster, that is the question

Lately I’ve been playing around with the idea of remixing some of my old RCB material. Not in the traditional sense of adding different drum loops or whatever (I have XR1300 to do that!), but mostly to increase sound fidelity and dynamic range.

Most of the tracks I’ve released, even before I knew to care about such a thing, sound pretty good. But some of them are downright crusty and embarrassing.

I fixed some of these problems for the Best of RCB and Rest of RCB compilations.  I had no problem remixing them for a new album, since I could release them as new versions of old songs. But I have a problem with revisiting the past and changing it.

All the albums I have released were snapshots of where I was at the moment I created them. Going back and changing them would be like changing part of the past, in a vain attempt to improve them, when in their own imperfect way they’re already perfect. It would be like a painter going back and “fixing” old paintings because he learned a new technique in the meantime.

On the other hand, I can also see an upside. The albums themselves would flow better and sound better. The sound would be more normalized. The quieter sound levels would be more appropriate for ambient music. La Teodicea di Odio especially had some problems with these regards. Three of its tracks rank 1 and 2 out of 20 on the DR chart, and are mix loud enough to fit on an Akibare album. I’m still not sure what I was thinking about when I recorded and mixed those songs…

Earlier this year I remixed the first two XR1300 albums, Love Won’t Get Us Where We’re Going and Surrender Is Not the Answer. Both of them were in dire need of a remaster, much more-so than the entire of the RCB discography. I had no real problem doing that, since I have both versions of the albums available. But at the same time, I don’t really think the sound of most songs are bad enough to remix in total.

In the end, I’ll probably split the difference and release another “Rest of” compilation, made up entirely of songs that needed remixed and remastered. That way the old albums are as they were when created, and the new versions can be on a separate release, released as the Definitive Versions.